Workflow Extensions for the user interface, and FxPlug4 as the render. The plug-in was developed using two public APIs. Other plugins, like Color Finale Transcoder, simplified the process of transcoding BRAW footage but now we have the next best thing to native support.
Up until now, BRAW footage couldn’t be imported into FCP without hours of transcoding. This should come as very welcome news to FCP editors who are working with footage in Blackmagic’s native raw format. “Now we can just import BRAW files directly into Final Cut Pro, with full RAW controls, and access to all the camera metadata.” From BRAWtoolbox.io “As hardcore Final Cut Pro users, we got frustrated when clients would hand over SSDs with 2-4TB’s worth of BRAW footage, that we’d need to convert to ProRes to start editing with it in Final Cut Pro.” From BRAWtoolbox.io Thankfully, BRAW Toolbox from developer Chris Hocking at LateNite Films is changing all of that! Usually, a little competition is good for everyone, but in this case, it is just completely annoying for the editor.Ĭheck out our article Blackmagic RAW and ProRes RAW, Compared to learn about some of the differences between the two codecs. Apple ProRes RAW isn’t supported in Blackmagic’s DaVinci Resolve, and BRAW isn’t supported in Apple’s FCP. Let’s take a quick look at what it can do!Īpple and Blackmagic seem locked in a passive battle over their compressed raw codecs. It promises no more transcoding, no more waiting, and no more massive ProRes files. BRAW Toolbox is a new plug-in for Final Cut Pro that makes it possible to edit native BRAW footage without transcoding.
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